Emily 3. Creativity In Numbers

Arguably the biggest hurdle for the group within this project has been figuring out how to merge the facts and figures of the Willow Patterns data with creative techniques such as poetry, music and sculpture. I know for me specifically, this has been difficult because it is hard to see numbers and stats as anything other than graphs and tables, which is how I have traditionally dealt with data.

To try and find a way to decipher the data, and express it in a clear and more creative way to the average individual, I turned, like always, to Google. I had always been under the opinion that creative pursuits and data belonged to two completely different spheres, where one revolved around endless possibilities and the other was confined to numbers. However, when conducting my Google search I discovered how wrong I was; it appears that creativity and data are inexplicably linked. A creative data strategist, Becky Wang claims that much of the creativity we see in the media or books is reliant on data and numerical research (2013). In her job, she is responsible for researching and collecting data for head media agencies which are then turned into advertisements, billboards and other marketing communications.
 These agencies require her to collect data on what their consumers are interested in or are attracted to. Once this data is collected it is up to her to interpret the data and determine what will work best in marketing communications. For example, if a company’s data indicates that their consumers have a real interest in innovation and technology, Becky decides whether using an ad with a green screen or animation and graphics will be effective. “The end product is always creative; revolutionary technology in adds, amazing images or photos on billboards... but these things could never be created without the data first” (Wang, 2013).

Similarly, authors and filmmakers have to research and interpret data when embarking on a new story. If the story has any non-fictional elements or is based on a particular period or event, authors and filmmakers need to research to ensure they are telling the story with a level of accuracy. This research often requires interpreting data. However data can also be used for inspiration. When an American writer of short stories was formulating his next piece, he stumbled across data revealing the 300 most used words in the English language. This data became stimulus for a poem he wrote within his next story (Webb, 2013).

With this in mind, I believe it is now time to revisit the Willow Patterns data and look closer at what the numbers and figures have to offer. By keeping an open mind and focusing on what the data is actually telling us, as opposed to just the physical numbers, we should be able to create some diverse and unique representations of the Willow Patterns journey.

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